Kma Machines Chief Disruptor - WN 651650249013

•    SPEDIZIONE IN 10 GIORNI
•     GARANZIA 2 ANNI

holding three different gain modes, a pre- or post-eq clean blend, active bass and treble controls, a foot-switchable and expression-controllable parametric mid-eq as well as a switchable top-boost for even more raspy, grinding bite, chief disruptor is the most flexible, beautifully balanced and loudest muff-style pedal youll ever hear! features: - fuzz/distortion pedal with switchable mid eq/boost - the ultimate muff-style drive, with stacked topology - 3 distinctive gain structures: vintage (dynamic), tight (more focussed), heavy (sustaining and thick) - pre or post clean blend, for a tight low end - active bass and treble eq - separate mid eq, with footswitch and frequency control - top-boost, for more crunchy harmonics - external expression control, allows for filter or pseudo-phase tones - internal controls for mid q and top boost level - relay-based soft-switching - made in berlin, germany - power by opt. 9 v psu over the years, different muff drives had different levels of gain, so we derived three major distinctive gain structures all based on what we consider to be the best versions. the vintage mode (vtg) will give you every shade of discrete overdrive, while the tight mode will give a more focused and modern tone with less bass and super crisp harmonics. heavy mode is the essence of what we all love about muffs. heavy, sustaining and crazy thick fuzzy distortion, with bone-shaking lows and chewy mids. just crank the disruption (gain) control and youll know exactly what were talking about here. tonal shaping was one of the true weak points of classic muff pedals and something we absolutely knew we had to remedy. weve opened the gates to more modern tonal flexibility through our active bass and treble controls, which let you boost or cut highs and lows with up to 15 db, while our parametric mid-eq with adjustable centre-frequency and level boost/cut allows you to fine tune the mids with extreme precision, for everything from classic scooped fuzz tones, modern mid-focused dirt tones and all the way to cocked-wah saturation. you can take complete hands-free control of the mid-eq frequency via an expression-pedal. this lets you make instant tone changes on the fly, as well as unleash fast and quacky wah-like sounds or slow and enveloping phaser-like sweeps. if you feel like the filter needs to be more resonant for screaming synth-like sweeps or needs to be subtler, then you can adjust the q of the mid-eq via an internal trimpot. the mids can also be turned on and off via the relay-based soft-switch, allowing you to kick in the mids for soaring solos, cutting chords or when you want to get filter freaky. having super saturated mids and lows can sometimes result in a perceived loss of highs. to fix this, just engage the top-boost to give your high-mids a big push for more crunchy harmonics and bite to cut through any band mix. weve tweaked the top boost to our personal taste, but if you feel like its either too loud or not loud enough, you can also adjust the top boost level via an internal trimpot. we carefully balanced the gain control to achieve total control of even the slightest harmonic nuances. so, whether youre looking for low gain drive, crunchy medium gain rhythm tones, singing or saturated lead sounds or skull-crushing doom tones, the disruption control can and will cover all of them! a lot of gain rules! but gain also means compression, and the more we compress our sound, the more our instrument will lose definition. yes, bass players, synth slingers and extended range guitar rockers, we hear you! to preserve your precious core tone the chief disruptor sports a clean blend control and a toggle switch to define the insert position. insert your dry signal before the eq section for a more cohesive sound or place it post-eq to keep your dry signal completely unaffected. last but not least, we always felt the original muff pedals (and clones) lacked output, hence we implemented our stacked headroom topology to keep the eqs from getting saggy when cranked, all which results in the tightest, most punchy and loudest muff-style tone on the market.